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#Synthesia program full
#Synthesia program professional

Michael Mizrahi, piano Yuri Namkung, violin Yves Dharamraj, cello Julio Elizalde, piano Andrew Wan, violin Gal Nyska, cello Lee Dionne, piano Brigid Coleridge, violin Julia Yang, celloĮmely Phelps, piano Ari Isaacman-Beck, violin Gwen Krosnick, cello

#Synthesia program professional

We are delighted to welcome pianist Andrew Barnwell, violinist Grant Houston, and cellist Yi-Mei Templeman from the Trio Gaia as our 2021 Professional Piano Trio Program ensemble.

#Synthesia program full

Piano trios perform an annual recital in world-renowned Jordan Hall and give performances in venues such as the Kennedy Center, the Isabella Stewart Gardner Museum, the New School Schneider Concert Series, and the Rhinebeck Chamber Music Society.Įach member of the ensemble is awarded a full tuition scholarship plus a $10,000 annual living stipend. Hornik Weilerstein (piano), daily group rehearsals, and training in all aspects of musicianship and career development. Highlights include three hours of ensemble coaching per week, weekly individual studio instruction from NEC string faculty and Ms. The program offers intensive training and coaching for exceptional trios. One trio is in-residence at a time, typically for a period of two years. Under the direction of Vivian Hornik Weilerstein, the Professional Piano Trio Program is open to advanced piano trios which show the talent and commitment necessary to pursue a concert career.

Voice and Sound Analysis Laboratory (VSAL).

These recordings will function as both prescreen and audition.

and a complete repertoire list (vocal, instrumental, or both).

a personal statement indicating your interest in collaborating with other musicians.

In addition, applicants for the studio accompanist assistantship must email Professor Kenneth Griffiths the following:

Vocal and Instrumental Studio Accompanying – include 20 – 30 minutes of approved material from both repertoires (approximately half in each area).

Instrumental Studio Accompanying – a combination of contrasting, standard instrumental repertoire.

Studio Accompanying – include a combination of standard art songs and opera arias.

If there are any issues with your repertoire, Professor Griffiths will contact you.Īll applicants should submit approximately 20 minutes of such performances:Vocal Please contact Professor Griffiths two weeks prior to the submission deadline of December 14, 2021, with the repertoire list you are proposing to submit. Your resume, personal statement, and your complete vocal and instrumental repertoire lists should be sent to Professor Kenneth Griffiths at wishing to apply for a studio accompanying assistantship should upload video recordings of live performances you have played within the past three years.

A personal statement that includes a brief, frank statement as to your abilities to learn music quickly and under pressure, as well as your sight-reading skills.

OR Brahms's d minor Violin and Piano Sonata #3 FIRST movement.

Prokofiev's D major Violin and Piano Sonata FIRST movement.

Deh vieni, non tardar" from Act IV of Mozart's Le nozze di Figaro OR Susanna's recit and aria "Giunse alfin il momento.

"Quando m'en vo" (Musetta's aria from Puccini's La Boheme).

Schumann’s "Er, der Herrlichste von allen" Op 42 #2 OR "Und wüssten's die Blumen, die kleinen" Op 48 #8.

New video recordings with associate artists of the following repertoire:.

A 20’-30’ selection of video recordings from the past three years that includes both instrumental and vocal works of approximately equal proportions.

A solo piano piece demonstrating pianistic facility and technique (3’-5’).

Coronavirus Updates right arrow down arrowĬollaborative Piano applicants will submit extended video recordings that will function both as prescreening and the official audition.Īpplicants are required to submit the following selections:.

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